If you get stuck when editing color, you can use these as a starting point and adjust based on your preferences. Jordan explores some preset looks from the Creative section, as well.
HOW TO DO DISSOLVES ON COLOR FINALE PRO HOW TO
This quick video gives you a great overview of basic color corrections such as how to adjust white balance, tone, and saturation from the Lumetri Color panel. The first step is to adjust the Exposure, adding more light to the shot.Ĭhanging the Color of a Single Color Element Let’s go through how we fixed this shot of basketball players using the waveform (RBG).įrom the scope, we can see that there is a lack of both color and light at the top. Have fun with it and study the effects on both the scope and the shot. The best way to become more proficient is to play around with the controls. Saturation changes the vividness of the hues in your clip, separating them from the grey tones in that light range.Ĭolor correction aims to neutralize your clips (as best you can) so that they have consistent light and color. Too much white will create a washed-out look, whereas too much black will create a dark shadowy look. These two controls help you increase the amount of white or black that is mixed with the colors. These two controls help you push the color range into either the lightest or darkest parts of your shot. This can help you mitigate issues where the shot has been filmed with too much, or too little light entering the camera. Similar to the temperature control, this gives you the ability to control the green to pink hue of your clip finely. For the most part, issues with White Balance will create a shot that is a little blue or orange is its overall hue and you can use the temperature control to offset this. The temperature control lets you set the tone of your clip between extreme blue and orange. The White Balance selector allows you to use a color picker to select the ‘White’ in your shot, which will automatically change the temperature and tint controls.
Click on the checkbox next to Basic Correction to open up the settings. The Lumetri Panel contains all of the tools you need to both correct and grade your shots, but for now, let’s look at the Basic Correction Tools. The scopes will help you identify where corrections should be made in your shots, and help you to define the best solution. When we overlay the scope with the clip, we can see how the light and colors are represented. If you skim along your sequence, you will see the scopes change and reflect the shapes and colors in the clip.Įach Scope type will show you something slightly different, and it is up to you to find the right one that suits your footage. Right-click in the window to bring up the options for the type of scope you want to look at in more detail.Īll of the scopes show graphical information about the color and light in the shot currently being viewed. These are viewable in the top left panel, and there are several options to choose from, it might look like a daunting amount of settings, but don’t worry we’ll guide you through. In the right-hand column, you will see all of your color options, while the individual controls/scopes live in the top left corner panel. Adobe has done their best to optimize all of the correction and grading tools under one screen, but to the uninitiated, it can seem a confusing mess.
HOW TO DO DISSOLVES ON COLOR FINALE PRO PRO
Part 2: How to Correct Color in Premiere Pro Color WorkspaceĬlick on the Color tab at the top to switch to the color screen. Especially, if some shots are so challenging you are unsure you can include them in your edit at all.
You may even decide when to color correct based on the project you are working on. The reality is, there is no right or wrong time to fix your clips.
Some will complete all of the edits before moving on to the color correction, others will opt to correct shots as they go. You should always correct your shots before you grade them, so you are working with a clean palette to begin the process.Įditors will have different workflows. Color grading is the work that is done to a piece to create a ‘stylistic look’ to your film. While you may use many of the same tools, they should be treated as two separate processes.Ĭolor correction is the process of fixing any issues within the shot regarding lighting or color so that all of the shots look consistent. Color Grading?įirstly, you should understand the difference between color correction and color grading.
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